Monday, May 30, 2011

Fundraiser event for Japan in Boston


Hi, Happy Memorial Day! I would like to inform you all of a fundraiser event for Japan "Artists for Japan" to be held in Boston on Saturday June 4th. Please see the flyer and join the event to help Japan. My friend in Boston will join the event and perform Japanese Taiko.    

Sunday, May 22, 2011

Ji-Uta Mai Japanese Dance Performance in NY

I went to see Ji-Uta Mai dance performance by the dance school based in Princton NJ, directed by Junko Tano, an instructor of the school. Ji-Uta means "song of earth," which has been developed in Osaka and Kyoto, in the Western part of Japan, over 3 hundred years ago. The Ji-Uta Mai assimilates movements from Noh dances and Kabuki dances, and fosters spiritual concentration and body pliancy. Ji-Uta Mai performances convey the spirit of the piece and appeal to the human heart for interpretation. The six dancers beautifully and carefully conveyed the songs of Ji-Uta Mai at yesterday's performance. I was so impressed and inspired by Ms. Junko Tano's dance piece called "Mother and Gem." She is indeed a Master of Ji-Uta Mai.  

昨晩主人と二人で田野純子さん主催による日本舞踊地唄舞公演に出かけた。
ニューヨークで本格的な地唄舞公演を見学することができたことは嬉しい。

地唄舞は、3百年ほど前(江戸期)に大阪や京都で発展した日本伝統舞踊の一種。
ソロパーフォーマーによる6演目は、初めて見る演目ばかり。
劇的で派手な動きではなく、たたみ一畳ほどの座敷でも踊れる舞は、唄の節を聴かせる内省的な地唄(伴奏)にマッチした内面的で重圧感のある振りが多い。

動く心情を動かない身体で表現することは容易では無い。艶物(つやもの)おどりは、大人の女性の色気や苦い情感などが繊細に表現されなければいけない。
地唄舞は結構面白いと思えたし、一瞬はまってしまいそうな踊りである。

最初の演目、Tea of Ceremoney Song の舞は、前半の部分では、扇で茶道の儀式を表現、後半の部分では、茶碗を拭く赤い小さなハンカチのような儀式道具が情感を表現する振りに使われていた。同じ江戸期に発展した茶道と地唄舞の歴史的な背景がうかがえる演目でもある。

ラストの演目、田野純子教師によるMother and Gem の熟練された舞に、私は最初から最後まで圧倒されっぱなしであった。グレーと白のシックな着物姿で舞台の中央に立たれていた田野さん、三味線の音が鳴り始めると舞台の照明が照らされ田野さんの姿にスポットライトが当たる、その瞬間の田野さんの立ち姿は、日本の歌舞妓舞台や日舞公演などで主役が登場する場面でよく聞こえてくる「いよー!田野」というような大きな掛け声が聞こえてきそうなほどお見事なお姿でした。

Sunday, May 15, 2011

Let's Sing and Dance Performance in CA


Today, I am going to introduce information on two performances regarding traditional Japanese dance and music which will be held this weekend. Please check them out.

Uta yabira and Wuduyabira Performance
唄やびら踊やびら公演
Sunday May 22nd, 2011 2:00 pm
$20.00 admission
James R. Armstrong Theater
(Torrance Cultural Arts Center)
3330 Civic Center Drive, Torrance CA

On Sunday, May 22, at 2:00 pm at the James Armstrong Theater in Torrance, the Okinawa Association of America, Inc. (OAA) will put on their biennial program showcasing the unique performing arts of Okinawa.
The show’s title, “Utayabira Wuduyabira” is in the Okinawan language meaning, “Let’s sing, let’s dance.” Seventeen groups affiliated with the OAA Performing Arts Committee will put on a show filled with traditional and folk dance and music, including a koto performance, as well as the taiko drumming.
Okinawa is known throughout Japan and abroad as having a distinct flavor in the performing arts, due to once being an independent sovereignty known as the Ryukyu kingdom. Much of the influence of China and other Southeast Asian countries with whom they traded can be seen in the textiles, costumes, colors and music.With the occasional exception of modern pop songs of Okinawa, the sanshin, a three-stringed instrument is central to all of the classical and folk songs. More than 50 classical and folk musicians will be performing on the sanshin during the program. Okinawan dance schools that will be showcased include: Majikina Honryu – LA Association, Miyagi-ryu Nosho-kai Miyagi Nosho Ryubu dojo, Miyagi-ryu Nosho-kai Numata Michiko Ryubu dojo, Miyagi-ryu Toyomu-kai and Tamagusuku-ryu Kansenkai.
A Ryukyu koto performance will be given by Teruya Katsuko Sokyoku Kenkyukai, featuring classical and folk songs. Classical music school of Nomura-ryu Ongaku Hozonkai and minyo groups of Shima Minyo, Uesu Yoko Minyo, Aikohkai, Ishihara Haruo Minyo, Akabana Group Nishikawa Atsuko Minyo, Hanashiro Emiko Minyo, Kochi Yuki Minyo will also be part of the program.
Mitsufumi-ryu Taiko Hozonkai Gushi Atsushi Renjo will perform jointly throughout the show. Rounding out the program is the youthful and dynamic audience favorite, Ryukyukoku Matsuri Daiko – LA branch.
Tickets are $20 and can be purchased through the various performing arts groups as well as through the OAA office at (310) 532-1929 or via email at mensore@earthlink.net.  The James Armstrong Theater is located at 3330 Civic Center Drive in Torrance.

The stage picture in 2010.
Okinawa Utayabira

The stage picture on May 22nd, 2011



 
JI-Uta Mai performance 地唄舞公演
Saturday 21, 2011 8:00 pm
Free admission
Merce Cunningham Studio
55 Bethune Street, New York, NY 10014
Performance by Master Junko Tano Japanese dance school and her school members.
JI-Uta mai is a form of Japanese traditional dance which assimilates movements from Noh dance and Kabuki dance.

Saturday, May 7, 2011

Long Island Sakura Matsuri Festival



Today's festival was the last cherry blossom festival held in the New York area. It was sucessfully done. I presented a Paranku (small handheld drum) dance workshop for the taiko members of the Ryushu Kan dojo in Long Island for 30 minutes before the performance on stage. Ryushu Taiko members performed, and I accompanied them on the Sanshin, playing a popular folk song called Paradise Uruma Jima. I performed a popular dance called Kanayo, and sang Tsundara bushi while playing the Sanshin. There were two stage performances in the festival, and I joined the last stage and Mr. Kaoru Watanabe later took the same stage, and his powerful drum ensomble with Flute was exciting to see.


Sunday, May 1, 2011

White Plains Cherry Blossom Festival

It was perfect weather for the Sakura Matsuri today. I have been participated in the White Plains Cherry Blossom Festival for the last 7 years and this was the best crowd ever. 
After I performed several Okinawan songs on the stage, I noticed this festival attracts many Japanese and American media; many cameramen gathered at this event.
After the stage performance, I presented a Sanshin workshop at the park, which was joined by a Japanese lady who instantly performed several folk songs and played Asadoya Yunta so that I could demonstrate dance for who children gathered at my booth.


今年のホワイト・プレインズの桜祭りは最高の人で賑わった。ステージでの三線演奏の後、公園の草原で三線と踊りのワークショップをしながら午後のひと時を楽しむ祭りだ。毎年沖縄ブースには、子供たちが集まってきては沖縄のフォークダンスを楽しんでくれる。今年も、また子供たちがフォークダンスに参加してくれた。三線のワークショップに参加してくれた安藤さんが即興で安里屋ユンタの曲を三線演奏してくれて助かりました。太鼓の坂本さんも即興で参加してくれました。皆様どうもありがとう。


Friday, April 22, 2011

Intimate performance at Weill Recital Hall

Our rehearsal for the show started at 4:00 pm yesterday. When I entered the Weill Recital hall at Carnegie Hall, I was surprised that the size of the theater of the Weill recital hall was so small. Even though I checked out the size before I attend the recital, it looked smaller than I could imagine.

The huge Steinway piano was sitting in the middle of the stage.
First of all, my first impression at the theater was, how could I perform my dance in such small space? Secondly, I have to make the point that the theater was built for music recitals, not for dance theater. Even though the piano was pushed to the left side of the stage several feet after the first ensemble piano and violin, my performance space was just the half the size of the stage.

I guess I choreographed the dance for Zen music to perform in much bigger stage.

I was instantly thinking when I saw a big piano sitting the middle of the stage, I thought hmm, how could I dance or how I can entertain the audience sitting in front of the piano, something like that.

When Zen music has started, I usually enter the stage slowly as possible, like Noh play, and I rehearsed many times at my home studio with 12 steps, however, I had to walk even more slowly and enter the stage with 8 steps instead of 12 steps. It worked more effectively than walking 12 steps, amazingly.

When I reached the center and turned my left foot to the front and turned my body slowly to the audience, I felt good since the stage was so intimate to the audience, and close to the stage I could see every face in the audience. It was an awesome feeling that everybody seemed to breath calmly and focus on one spot.

After that, I didn't care about the huge black piano sitting on the stage and my performance space just half of the stage,  I just performed as big as I possibly could and entertain the audience, from the left corner to the right corner.

I was filled with joy and satisfaction that the audience reacted to my dance in a positive way. I actually have fallen in love with the music called Zen. The Zen music soothes my soul each time I perform with the music. That is what Zen is all about, isn't it?

At the end of the performance, I was wondering whether the audience felt the same way I did. I hope so.

Each member of the cast of the Chamber Opera in One Act of Hana were great. Everyone stood by next to the side door of the stage and stood by the entrance to the stage, they looked so focused and handsome. I loved the moment each of yesterday's performance. It was a truly exciting moment for me to perform Okinawan-style classical dance with great live piano and violin music on a prestigous stage.


Saturday, April 16, 2011

Kick off  Cherry Blossom Viewing

My first Cherry blossom festival to join will be tommorow at the Greenwich Japanese School hosted by the Japan Society of Fairfiled County, CT. The performance will be held on the stage in the auditorium. The Greenwich Japanese school campus is awesome and here are the some pictures taken at the Greenwich School:Mr. Sakamaki, the Chairperson of the Associaton, greets guests entering the school by offering a sake tasting. The event is held as part of Japan Relief fundraising events.

いよいよニューヨークにも桜花見シーズン到来。
花見パーフォーマンスの先頭をきって、明日コネチカット州フェアーフィールド日米協会主催の花見で、沖縄舞踊と三線演奏で沖縄民謡を披露します。日本の地震津波被災地の方々に祈りを込めて協会の皆様方と We are the worldの歌http://www.youtube.com/watch?v=kq_q9tVTupI
を合唱します。